He illustrated the work with colored pencil, among other things drawing a lion for each entry of the subject of the fugues and for each of the twelve a different kind of lion, according to the character of the music, originally published in a limited edition but providing an instructive formal analysis of the music. The Ludus is a graphc example of the composer's delight in the fantastic, offered to his wife, born under the sign of Leo, as a birthday present. They are character pieces as given in their titles: March, Shimmy, Night Piece, Boston (a waltz) and Ragtime. Hindemith revels in the dissonant effects while providing rhythmic drive and wit. Intellectual achievement and sheer delight in playing are shown not to be mutually exclusive. The Suite 1922 is quite the expressionate work in five movements, the polar opposite of Ludus Tonalis. In solving technical problems he posed himself, Hindemith created not a dry exercise but a work of considerable imagination. The cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside down and reading it backwards. Intellectual achievement and sheer delight in playing are shown not to be mutually exclusive. Th cycle of fugues is introduced and concluded by a Praeludium and Postludium, the second formed by turning the Praeludium upside down and reading it backwards.
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